In the afterword, Satoshi Kon says he thinks of himself as both a manga artist and an animator/director while noting he is much more famous for the later. Even without this his films in mind, Tropic of the Sea reads very much more sucessfully as a storyboard than a manga. Even at an early part of his career, Kon shows a lot of acuity with his "shots" and a certain panache which papers over some narrative /5(). 6 rows · · Tropic of the Sea Satoshi Kon's first feature length manga, includes a dozen black and white ISBN Tropic of the Sea is a rare look at revered anime auteur Satoshi Kon’s first feature-length manga. This edition includes a dozen black-and-white art plates from its original serialization, along with an essay written by Kon in detailing his transition from the manga industry to the animation business/10(K).
Tropic of the Sea Satoshi Kon's first feature length manga, includes a dozen black and white art plates from his original release, along with a 5-page essay written by Kon in detailing his transition from the manga industry to the animation business. Related collections and offers. Tropic of the Sea Satoshi Kon's first feature length manga, includes a dozen black and white art plates from his original release, along with a 5-page essay written by Kon in detailing his transition from the manga industry to the animation business. Tropic Of The Sea by Satoshi Kon - Thriller. There's a legend about a mermaid's egg in a Japanese rural village. They say that a mermaid asked the people of the village to take care of her egg for sixty years. In exchange, she would present the bountiful sea to them.
By Satoshi Kon. Tropic of the Sea is a rare look at revered anime auteur Satoshi Kon’s first feature-length manga. This edition includes a dozen black-and-white art plates from its original serialization, along with an essay written by Kon in detailing his transition from the manga industry to the animation business. By Satoshi Kon. Tropic of the Sea is a rare look at revered anime auteur Satoshi Kon’s first feature-length manga. This edition includes a dozen black-and-white art plates from its original serialization, along with an essay written by Kon in detailing his transition from the manga industry to the animation business. Yosuke’s family has a strange tradition—once every sixty years they receive an egg from a mermaid. In the afterword, Satoshi Kon says he thinks of himself as both a manga artist and an animator/director while noting he is much more famous for the later. Even without this his films in mind, Tropic of the Sea reads very much more sucessfully as a storyboard than a manga. Even at an early part of his career, Kon shows a lot of acuity with his "shots" and a certain panache which papers over some narrative clumsiness.
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